Showing posts tagged: Installation

  • Pixel Cloud Installation / UNSTABLE via Archdaily Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. 
  • Pixel Cloud Installation / UNSTABLE via Archdaily Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. 
  • Pixel Cloud Installation / UNSTABLE via Archdaily Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. 
  • Pixel Cloud Installation / UNSTABLE via Archdaily Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. 
  • Pixel Cloud Installation / UNSTABLE via Archdaily Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. 
  • Pixel Cloud Installation / UNSTABLE via Archdaily Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. 
  • Pixel Cloud Installation / UNSTABLE via Archdaily Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. 
  • Pixel Cloud Installation / UNSTABLE via Archdaily Designed and directed by Iceland based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of Reykjavík. 

Pixel Cloud Installation / UNSTABLE via Archdaily

Designed and directed by  based architect Marcos Zotes and his studio UNSTABLE, their Pixel Cloud installation is the winning competition entry for the Reykjavik Winter Lights Festival 2013, organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Center. The installation creates an opportunity for Icelanders to reconsider the use and management of their urban public spaces. With the current financial situation leaving a permanent landscape of obsolete scaffolding structures scattered across the city, this has resulted in urban scars that remind us of the fragility of their current society. This installation takes advantage of this condition by transforming an ordinary scaffolding structure into a fully immersive environment of light and sound in the heart of . 

  • Zhu Jinshi: Boat via Domus During the recent inaugural edition of the Art13 London art fair, Chinese abstract artist Zhu Jinshi presented Boat, an installation for Pearl Lam Galleries composed of bamboo, cotton and 8,000 sheets of rice paper in a striking 12 metre-long structure. Zhu Jinshi began creating abstract works in the late 1970s. In order to exhibit in an “official” capacity, he joined the Stars (Xingxing), a group of Chinese artists that included Ai Weiwei and Ma Desheng, and participated in their seminal Beijing exhibition in 1979. At Art13, Zhu Jinshi’s work was represented alongside another major Chinese abstract artist, Su Xiaobai. The work of both artists attempts to illustrate that Chinese abstract has been a major, undiscovered force in contemporary art. 
  • Zhu Jinshi: Boat via Domus During the recent inaugural edition of the Art13 London art fair, Chinese abstract artist Zhu Jinshi presented Boat, an installation for Pearl Lam Galleries composed of bamboo, cotton and 8,000 sheets of rice paper in a striking 12 metre-long structure. Zhu Jinshi began creating abstract works in the late 1970s. In order to exhibit in an “official” capacity, he joined the Stars (Xingxing), a group of Chinese artists that included Ai Weiwei and Ma Desheng, and participated in their seminal Beijing exhibition in 1979. At Art13, Zhu Jinshi’s work was represented alongside another major Chinese abstract artist, Su Xiaobai. The work of both artists attempts to illustrate that Chinese abstract has been a major, undiscovered force in contemporary art. 
  • Zhu Jinshi: Boat via Domus During the recent inaugural edition of the Art13 London art fair, Chinese abstract artist Zhu Jinshi presented Boat, an installation for Pearl Lam Galleries composed of bamboo, cotton and 8,000 sheets of rice paper in a striking 12 metre-long structure. Zhu Jinshi began creating abstract works in the late 1970s. In order to exhibit in an “official” capacity, he joined the Stars (Xingxing), a group of Chinese artists that included Ai Weiwei and Ma Desheng, and participated in their seminal Beijing exhibition in 1979. At Art13, Zhu Jinshi’s work was represented alongside another major Chinese abstract artist, Su Xiaobai. The work of both artists attempts to illustrate that Chinese abstract has been a major, undiscovered force in contemporary art. 

Zhu Jinshi: Boat via Domus

During the recent inaugural edition of the Art13 London art fair, Chinese abstract artist Zhu Jinshi presented Boat, an installation for Pearl Lam Galleries composed of bamboo, cotton and 8,000 sheets of rice paper in a striking 12 metre-long structure. 

Zhu Jinshi began creating abstract works in the late 1970s. In order to exhibit in an “official” capacity, he joined the Stars (Xingxing), a group of Chinese artists that included Ai Weiwei and Ma Desheng, and participated in their seminal Beijing exhibition in 1979. At Art13, Zhu Jinshi’s work was represented alongside another major Chinese abstract artist, Su Xiaobai. The work of both artists attempts to illustrate that Chinese abstract has been a major, undiscovered force in contemporary art. 

  • Christo Unveils Inflatable, Light-Infused Installation in Germany via Archdaily The internationally – and often controversial - acclaimed artist Christo has unveiled the “largest indoor sculpture ever made”. Prepared to debut in a public exhibition starting March 16, the inflated “Big Air Package” has been designed to occupy a 117-meter-tall former gas tank known as Gasometer Oberhausen in Germany. The 90-meter-high, 50-meter-wide sculpture is made from 20,350 square meters of semitransparent polyester fabric and 4,500 meters of rope, with a total weight of 5.3 tons and a volume of 177,000 cubic meters. 
  • Christo Unveils Inflatable, Light-Infused Installation in Germany via Archdaily The internationally – and often controversial - acclaimed artist Christo has unveiled the “largest indoor sculpture ever made”. Prepared to debut in a public exhibition starting March 16, the inflated “Big Air Package” has been designed to occupy a 117-meter-tall former gas tank known as Gasometer Oberhausen in Germany. The 90-meter-high, 50-meter-wide sculpture is made from 20,350 square meters of semitransparent polyester fabric and 4,500 meters of rope, with a total weight of 5.3 tons and a volume of 177,000 cubic meters. 
  • Christo Unveils Inflatable, Light-Infused Installation in Germany via Archdaily The internationally – and often controversial - acclaimed artist Christo has unveiled the “largest indoor sculpture ever made”. Prepared to debut in a public exhibition starting March 16, the inflated “Big Air Package” has been designed to occupy a 117-meter-tall former gas tank known as Gasometer Oberhausen in Germany. The 90-meter-high, 50-meter-wide sculpture is made from 20,350 square meters of semitransparent polyester fabric and 4,500 meters of rope, with a total weight of 5.3 tons and a volume of 177,000 cubic meters. 
  • Christo Unveils Inflatable, Light-Infused Installation in Germany via Archdaily The internationally – and often controversial - acclaimed artist Christo has unveiled the “largest indoor sculpture ever made”. Prepared to debut in a public exhibition starting March 16, the inflated “Big Air Package” has been designed to occupy a 117-meter-tall former gas tank known as Gasometer Oberhausen in Germany. The 90-meter-high, 50-meter-wide sculpture is made from 20,350 square meters of semitransparent polyester fabric and 4,500 meters of rope, with a total weight of 5.3 tons and a volume of 177,000 cubic meters. 

Christo Unveils Inflatable, Light-Infused Installation in Germany via Archdaily

The internationally – and often controversial - acclaimed artist Christo has unveiled the “largest indoor sculpture ever made”. Prepared to debut in a public exhibition starting March 16, the inflated “Big Air Package” has been designed to occupy a 117-meter-tall former gas tank known as Gasometer Oberhausen in Germany. The 90-meter-high, 50-meter-wide sculpture is made from 20,350 square meters of semitransparent polyester fabric and 4,500 meters of rope, with a total weight of 5.3 tons and a volume of 177,000 cubic meters. 

  • Pre-fabricated literaryum installation by Michael Jantzen via Designboom formed into an eight-foot cube made of steel and aluminum, the pre-fabricated installation by michael jantzen is designed as a functional art space, where the cube can be made larger, or clustered together in multiples to form larger spaces. five sides of the volume are fitted with perforated panels with text chosen by the owner of the literaryum. additional accessories including solar powered heating and cooling, interior privacy shades, lighting fixtures, are available to influence and elevate creativity.
  • Pre-fabricated literaryum installation by Michael Jantzen via Designboom formed into an eight-foot cube made of steel and aluminum, the pre-fabricated installation by michael jantzen is designed as a functional art space, where the cube can be made larger, or clustered together in multiples to form larger spaces. five sides of the volume are fitted with perforated panels with text chosen by the owner of the literaryum. additional accessories including solar powered heating and cooling, interior privacy shades, lighting fixtures, are available to influence and elevate creativity.

Pre-fabricated literaryum installation by Michael Jantzen via Designboom

formed into an eight-foot cube made of steel and aluminum, the pre-fabricated installation by michael jantzen is designed as a functional art space, where the cube can be made larger, or clustered together in multiples to form larger spaces. five sides of the volume are fitted with perforated panels with text chosen by the owner of the literaryum. additional accessories including solar powered heating and cooling, interior privacy shades, lighting fixtures, are available to influence and elevate creativity.

  • Augmenting Spatiality by Refik Anadol The ambient qualities of urban ecologies―as we as civilizations create them in specific geographic locations―are coming to the forefront of cultural production. With the advent of digital media and environmental consciousness more than any other point in human history we are able to access the formal qualities of the ambient environment in terms of the built, social and natural environments. Through sensors, databases and visualization we can collect information on the ambient dynamics of cities, sound, light, air quality, acoustics, human movement, ecological dimensions, social preferences and their multiplicity of interactions. And while social media and global commerce has transcended the confines of place, its impact on culture has made place-centric experiences and spatial awareness more important not less. Curator: Pelin DervişArtist: RefiK AnadolArchitect: ŞANAL architecture|urbanism (Alexis Şanal, Orkun Beydaği)Programming/Electronics Designer: Sebastian NeitschSound Designer: Kerim Karaoğlu
  • Augmenting Spatiality by Refik Anadol The ambient qualities of urban ecologies―as we as civilizations create them in specific geographic locations―are coming to the forefront of cultural production. With the advent of digital media and environmental consciousness more than any other point in human history we are able to access the formal qualities of the ambient environment in terms of the built, social and natural environments. Through sensors, databases and visualization we can collect information on the ambient dynamics of cities, sound, light, air quality, acoustics, human movement, ecological dimensions, social preferences and their multiplicity of interactions. And while social media and global commerce has transcended the confines of place, its impact on culture has made place-centric experiences and spatial awareness more important not less. Curator: Pelin DervişArtist: RefiK AnadolArchitect: ŞANAL architecture|urbanism (Alexis Şanal, Orkun Beydaği)Programming/Electronics Designer: Sebastian NeitschSound Designer: Kerim Karaoğlu
  • Augmenting Spatiality by Refik Anadol The ambient qualities of urban ecologies―as we as civilizations create them in specific geographic locations―are coming to the forefront of cultural production. With the advent of digital media and environmental consciousness more than any other point in human history we are able to access the formal qualities of the ambient environment in terms of the built, social and natural environments. Through sensors, databases and visualization we can collect information on the ambient dynamics of cities, sound, light, air quality, acoustics, human movement, ecological dimensions, social preferences and their multiplicity of interactions. And while social media and global commerce has transcended the confines of place, its impact on culture has made place-centric experiences and spatial awareness more important not less. Curator: Pelin DervişArtist: RefiK AnadolArchitect: ŞANAL architecture|urbanism (Alexis Şanal, Orkun Beydaği)Programming/Electronics Designer: Sebastian NeitschSound Designer: Kerim Karaoğlu
  • Augmenting Spatiality by Refik Anadol The ambient qualities of urban ecologies―as we as civilizations create them in specific geographic locations―are coming to the forefront of cultural production. With the advent of digital media and environmental consciousness more than any other point in human history we are able to access the formal qualities of the ambient environment in terms of the built, social and natural environments. Through sensors, databases and visualization we can collect information on the ambient dynamics of cities, sound, light, air quality, acoustics, human movement, ecological dimensions, social preferences and their multiplicity of interactions. And while social media and global commerce has transcended the confines of place, its impact on culture has made place-centric experiences and spatial awareness more important not less. Curator: Pelin DervişArtist: RefiK AnadolArchitect: ŞANAL architecture|urbanism (Alexis Şanal, Orkun Beydaği)Programming/Electronics Designer: Sebastian NeitschSound Designer: Kerim Karaoğlu
  • Augmenting Spatiality by Refik Anadol The ambient qualities of urban ecologies―as we as civilizations create them in specific geographic locations―are coming to the forefront of cultural production. With the advent of digital media and environmental consciousness more than any other point in human history we are able to access the formal qualities of the ambient environment in terms of the built, social and natural environments. Through sensors, databases and visualization we can collect information on the ambient dynamics of cities, sound, light, air quality, acoustics, human movement, ecological dimensions, social preferences and their multiplicity of interactions. And while social media and global commerce has transcended the confines of place, its impact on culture has made place-centric experiences and spatial awareness more important not less. Curator: Pelin DervişArtist: RefiK AnadolArchitect: ŞANAL architecture|urbanism (Alexis Şanal, Orkun Beydaği)Programming/Electronics Designer: Sebastian NeitschSound Designer: Kerim Karaoğlu

Augmenting Spatiality by Refik Anadol

The ambient qualities of urban ecologies―as we as civilizations create them in specific geographic locations―are coming to the forefront of cultural production. With the advent of digital media and environmental consciousness more than any other point in human history we are able to access the formal qualities of the ambient environment in terms of the built, social and natural environments. Through sensors, databases and visualization we can collect information on the ambient dynamics of cities, sound, light, air quality, acoustics, human movement, ecological dimensions, social preferences and their multiplicity of interactions. And while social media and global commerce has transcended the confines of place, its impact on culture has made place-centric experiences and spatial awareness more important not less.

Curator: Pelin Derviş
Artist: RefiK Anadol
Architect: ŞANAL architecture|urbanism (Alexis Şanal, Orkun Beydaği)
Programming/Electronics Designer: Sebastian Neitsch
Sound Designer: Kerim Karaoğlu

  • Submergence by Squidsoup via My Modern Net In this mixed media installation, visitors are invited to walk through a dazzling display of lights that challenge the natural perceptions of space. The piece includes 8,064 points of lights, suspended from the ceiling in a mind-boggling construction of interactive space. Entitled Submergence, the piece was developed by collaborative group Squidsoup, which consists of international artists, researchers, and designers who create work that “combines sound, physical space, and virtual worlds to produce immersive and emotive headspaces where participants can take active control of their experience.”
  • Submergence by Squidsoup via My Modern Net In this mixed media installation, visitors are invited to walk through a dazzling display of lights that challenge the natural perceptions of space. The piece includes 8,064 points of lights, suspended from the ceiling in a mind-boggling construction of interactive space. Entitled Submergence, the piece was developed by collaborative group Squidsoup, which consists of international artists, researchers, and designers who create work that “combines sound, physical space, and virtual worlds to produce immersive and emotive headspaces where participants can take active control of their experience.”
  • Submergence by Squidsoup via My Modern Net In this mixed media installation, visitors are invited to walk through a dazzling display of lights that challenge the natural perceptions of space. The piece includes 8,064 points of lights, suspended from the ceiling in a mind-boggling construction of interactive space. Entitled Submergence, the piece was developed by collaborative group Squidsoup, which consists of international artists, researchers, and designers who create work that “combines sound, physical space, and virtual worlds to produce immersive and emotive headspaces where participants can take active control of their experience.”
  • Submergence by Squidsoup via My Modern Net In this mixed media installation, visitors are invited to walk through a dazzling display of lights that challenge the natural perceptions of space. The piece includes 8,064 points of lights, suspended from the ceiling in a mind-boggling construction of interactive space. Entitled Submergence, the piece was developed by collaborative group Squidsoup, which consists of international artists, researchers, and designers who create work that “combines sound, physical space, and virtual worlds to produce immersive and emotive headspaces where participants can take active control of their experience.”

Submergence by Squidsoup via My Modern Net

In this mixed media installation, visitors are invited to walk through a dazzling display of lights that challenge the natural perceptions of space. The piece includes 8,064 points of lights, suspended from the ceiling in a mind-boggling construction of interactive space. Entitled Submergence, the piece was developed by collaborative group Squidsoup, which consists of international artists, researchers, and designers who create work that “combines sound, physical space, and virtual worlds to produce immersive and emotive headspaces where participants can take active control of their experience.”

  • starlight - burning man installation starlight’ by erich remash, jeremy berglund, don peterson and chad ingle is a modest sculptural installation that was presented at burning man 2012 and four other festivals. seven twelve-foot diameter plywood stars were placed in the black rock desert mapping out the constellation orion, creating a sense of place and a ‘heaven on earth’ effect. the stars are designed to appear aesthetically pleasing during day and night, appealing from great distances in order to draw in curiousity. constructed of CNC milled plywood and fir blocking patterns, repetition, scale and tension are used to combat the overwhelming scale of the black rock desert. as a result, each star is given its own unique lighting pattern.
  • starlight - burning man installation starlight’ by erich remash, jeremy berglund, don peterson and chad ingle is a modest sculptural installation that was presented at burning man 2012 and four other festivals. seven twelve-foot diameter plywood stars were placed in the black rock desert mapping out the constellation orion, creating a sense of place and a ‘heaven on earth’ effect. the stars are designed to appear aesthetically pleasing during day and night, appealing from great distances in order to draw in curiousity. constructed of CNC milled plywood and fir blocking patterns, repetition, scale and tension are used to combat the overwhelming scale of the black rock desert. as a result, each star is given its own unique lighting pattern.
  • starlight - burning man installation starlight’ by erich remash, jeremy berglund, don peterson and chad ingle is a modest sculptural installation that was presented at burning man 2012 and four other festivals. seven twelve-foot diameter plywood stars were placed in the black rock desert mapping out the constellation orion, creating a sense of place and a ‘heaven on earth’ effect. the stars are designed to appear aesthetically pleasing during day and night, appealing from great distances in order to draw in curiousity. constructed of CNC milled plywood and fir blocking patterns, repetition, scale and tension are used to combat the overwhelming scale of the black rock desert. as a result, each star is given its own unique lighting pattern.
  • starlight - burning man installation starlight’ by erich remash, jeremy berglund, don peterson and chad ingle is a modest sculptural installation that was presented at burning man 2012 and four other festivals. seven twelve-foot diameter plywood stars were placed in the black rock desert mapping out the constellation orion, creating a sense of place and a ‘heaven on earth’ effect. the stars are designed to appear aesthetically pleasing during day and night, appealing from great distances in order to draw in curiousity. constructed of CNC milled plywood and fir blocking patterns, repetition, scale and tension are used to combat the overwhelming scale of the black rock desert. as a result, each star is given its own unique lighting pattern.

starlight - burning man installation

starlight’ by erich remash, jeremy berglund, don peterson and chad ingle is a modest sculptural installation that was presented at burning man 2012 and four other festivals. seven twelve-foot diameter plywood stars were placed in the black rock desert mapping out the constellation orion, creating a sense of place and a ‘heaven on earth’ effect. the stars are designed to appear aesthetically pleasing during day and night, appealing from great distances in order to draw in curiousity. constructed of CNC milled plywood and fir blocking patterns, repetition, scale and tension are used to combat the overwhelming scale of the black rock desert. as a result, each star is given its own unique lighting pattern.

  • ‘Gwangju Swarms’ Installation / NADAAA The Gwangju Swarms installation by NADAAA was designed as part of the Urban Folly Exhibit, 2011 Gwangju Design Biennale. The installation site is characterized by a road crossing with a diverse set of scales and building types that anchor each corner, a site in transition. Inhabiting this corner, the installation is chameleonic; encrytped within the logic of the branches, a seemingly animated structure floats overhead, peeking around the corners giving body to the space that was once occupied by the city wall.
  • ‘Gwangju Swarms’ Installation / NADAAA The Gwangju Swarms installation by NADAAA was designed as part of the Urban Folly Exhibit, 2011 Gwangju Design Biennale. The installation site is characterized by a road crossing with a diverse set of scales and building types that anchor each corner, a site in transition. Inhabiting this corner, the installation is chameleonic; encrytped within the logic of the branches, a seemingly animated structure floats overhead, peeking around the corners giving body to the space that was once occupied by the city wall.
  • ‘Gwangju Swarms’ Installation / NADAAA The Gwangju Swarms installation by NADAAA was designed as part of the Urban Folly Exhibit, 2011 Gwangju Design Biennale. The installation site is characterized by a road crossing with a diverse set of scales and building types that anchor each corner, a site in transition. Inhabiting this corner, the installation is chameleonic; encrytped within the logic of the branches, a seemingly animated structure floats overhead, peeking around the corners giving body to the space that was once occupied by the city wall.
  • ‘Gwangju Swarms’ Installation / NADAAA The Gwangju Swarms installation by NADAAA was designed as part of the Urban Folly Exhibit, 2011 Gwangju Design Biennale. The installation site is characterized by a road crossing with a diverse set of scales and building types that anchor each corner, a site in transition. Inhabiting this corner, the installation is chameleonic; encrytped within the logic of the branches, a seemingly animated structure floats overhead, peeking around the corners giving body to the space that was once occupied by the city wall.

‘Gwangju Swarms’ Installation / NADAAA

The  Swarms installation by NADAAA was designed as part of the Urban Folly Exhibit, 2011 Gwangju Design Biennale. The installation site is characterized by a road crossing with a diverse set of scales and building types that anchor each corner, a site in transition. Inhabiting this corner, the installation is chameleonic; encrytped within the logic of the branches, a seemingly animated structure floats overhead, peeking around the corners giving body to the space that was once occupied by the city wall.

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