This photo series captures the disappearing faces of New York.
Urban Elements | Boris Loder
Against Wind and Tide | Nicolas Evariste
A photographic essay about the construction of a mall in the historic Las Arenas bullring.
Juvet Landscape Hotel | Daniel Seljebo
Stanley R. Mickelsen Safeguard Complex | Via
A huge pyramid in the middle of nowhere tracking the end of the world on radar. An abstract geometric shape beneath the sky without a human being in sight. It could be the opening scene of an apocalyptic science fiction film, but it’s just the U.S. military going about its business, building vast and other-worldly architectural structures that the civilian world only rarely sees.
The Library of Congress has an extraordinary set of images documenting the Stanley R. Mickelsen Safeguard Complex in Cavalier County, North Dakota, showing it in various states of construction and completion.
Taken for the U.S. government by photographer Benjamin Halpern, the particular images seen here show the central pyramid—pyramid, obelisk, monument, megastructure: whatever you want to call it—that served as the site’s missile control building. Like the eye of Sauron crossed with Giza, it looks in all directions, its all-seeing white circles staring endlessly at invisible airborne objects across the horizon.
The Story of Kowloon Walled City | Via
The early phases of the Walled City were characterized by predictable building typologies and the buildings were constructed on the principle of squatters’ rights, with random construction on spots of available land by whoever got there first. Alleyways and passages evolved—unplanned—into the established ‘map’ of the city, which would remain until it came down. A basic electric supply existed, increasingly burdened by illegal connections that frequently overloaded the system, and the few standpipes supplied the only water. As the need to accommodate the ever growing residential and commercial populations forced it to in the 1960s, the building typology of the Walled City made the leap from two- to three-story residential structures to taller, six- to seven-story ones. This represented an important threshold, because at these greater heights the buildings unavoidably became more complex and required greater labor to realize, reinforced concrete, more investment, and so on.
Architectural Synthesis in Drawing | Alexander Givaev
1960’s Ariel Photographs of New York | Via