• Deadline | Will Steacy | Via
With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.
Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.
  • Deadline | Will Steacy | Via
With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.
Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.
  • Deadline | Will Steacy | Via
With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.
Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.
  • Deadline | Will Steacy | Via
With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.
Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.
  • Deadline | Will Steacy | Via
With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.
Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.
  • Deadline | Will Steacy | Via
With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.
Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.
  • Deadline | Will Steacy | Via
With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.
Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.

Deadline | Will Steacy | Via

With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.

Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.

Silver Village | BLDG BLOG
Historic structures in the mountains of California are being wrapped, Christo-style, in reflective silver sheets to help protect them against the heat of wildfires. The wrap—available from companies such as Firezat, who explain how to encase your own house as if wrapping a giant birthday present—has been applied to the structures by concerned archaeologists in collaborations with local fire crews. Gleaming villages of historically preserved structures thus shine with reflected firelight amidst the trees, waiting like an astronaut’s art project as the rest of the forest burns.

Silver Village | BLDG BLOG

Historic structures in the mountains of California are being wrapped, Christo-style, in reflective silver sheets to help protect them against the heat of wildfires. 

The wrap—available from companies such as Firezat, who explain how to encase your own house as if wrapping a giant birthday present—has been applied to the structures by concerned archaeologists in collaborations with local fire crews. 

Gleaming villages of historically preserved structures thus shine with reflected firelight amidst the trees, waiting like an astronaut’s art project as the rest of the forest burns.

  • Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
  • Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
  • Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
  • Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
  • Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.
  • Museum of Civilizations | GM architects | Via
As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.

Museum of Civilizations | GM architects | Via

As a proposal for a reflective experience deeply rooted in its city’s history, lebanese studio GM architects has envisioned ‘museum of civilizations’, sunk into the landscape of beirut’s martyrs’ square. The proposal excavates through various strata of earth, which contain traces from greek, roman, byzantine, ottoman, and french societies. The large hole is then infilled with two structures – a massive gridded scaffold and tall white tower – which are connected by a singular circulation path. a succession of voids break through the tressle-like block, and are occupied by platforms for exhibition use as well as general observation. Below, a walkway passes over the site’s watery bottom to access a staircase wrapped by the high white wall.

  • Gothicism | Dutch Lab | Via
Dutch lab‘s ‘Gothicism’ is an aesthetically intricate device that uses the cold drip method to produce cups of coffee. The project follows the steampunk theme seen throughout the studio’s previous creations, such as the original ‘steampunk’ and ‘eiffel’. Each construct is built in korea from anodized aluminum components that have been laser cut to accommodate brass needle valves, borosilicate glass tubes, and 150-gram tanks. Their development is led by a collection of industrial designers alongside a professional barista by the name of jae wong kwak.
  • Gothicism | Dutch Lab | Via
Dutch lab‘s ‘Gothicism’ is an aesthetically intricate device that uses the cold drip method to produce cups of coffee. The project follows the steampunk theme seen throughout the studio’s previous creations, such as the original ‘steampunk’ and ‘eiffel’. Each construct is built in korea from anodized aluminum components that have been laser cut to accommodate brass needle valves, borosilicate glass tubes, and 150-gram tanks. Their development is led by a collection of industrial designers alongside a professional barista by the name of jae wong kwak.
  • Gothicism | Dutch Lab | Via
Dutch lab‘s ‘Gothicism’ is an aesthetically intricate device that uses the cold drip method to produce cups of coffee. The project follows the steampunk theme seen throughout the studio’s previous creations, such as the original ‘steampunk’ and ‘eiffel’. Each construct is built in korea from anodized aluminum components that have been laser cut to accommodate brass needle valves, borosilicate glass tubes, and 150-gram tanks. Their development is led by a collection of industrial designers alongside a professional barista by the name of jae wong kwak.
  • Gothicism | Dutch Lab | Via
Dutch lab‘s ‘Gothicism’ is an aesthetically intricate device that uses the cold drip method to produce cups of coffee. The project follows the steampunk theme seen throughout the studio’s previous creations, such as the original ‘steampunk’ and ‘eiffel’. Each construct is built in korea from anodized aluminum components that have been laser cut to accommodate brass needle valves, borosilicate glass tubes, and 150-gram tanks. Their development is led by a collection of industrial designers alongside a professional barista by the name of jae wong kwak.
  • Gothicism | Dutch Lab | Via
Dutch lab‘s ‘Gothicism’ is an aesthetically intricate device that uses the cold drip method to produce cups of coffee. The project follows the steampunk theme seen throughout the studio’s previous creations, such as the original ‘steampunk’ and ‘eiffel’. Each construct is built in korea from anodized aluminum components that have been laser cut to accommodate brass needle valves, borosilicate glass tubes, and 150-gram tanks. Their development is led by a collection of industrial designers alongside a professional barista by the name of jae wong kwak.
  • Gothicism | Dutch Lab | Via
Dutch lab‘s ‘Gothicism’ is an aesthetically intricate device that uses the cold drip method to produce cups of coffee. The project follows the steampunk theme seen throughout the studio’s previous creations, such as the original ‘steampunk’ and ‘eiffel’. Each construct is built in korea from anodized aluminum components that have been laser cut to accommodate brass needle valves, borosilicate glass tubes, and 150-gram tanks. Their development is led by a collection of industrial designers alongside a professional barista by the name of jae wong kwak.
  • Gothicism | Dutch Lab | Via
Dutch lab‘s ‘Gothicism’ is an aesthetically intricate device that uses the cold drip method to produce cups of coffee. The project follows the steampunk theme seen throughout the studio’s previous creations, such as the original ‘steampunk’ and ‘eiffel’. Each construct is built in korea from anodized aluminum components that have been laser cut to accommodate brass needle valves, borosilicate glass tubes, and 150-gram tanks. Their development is led by a collection of industrial designers alongside a professional barista by the name of jae wong kwak.

Gothicism | Dutch Lab | Via

Dutch lab‘s ‘Gothicism’ is an aesthetically intricate device that uses the cold drip method to produce cups of coffee. The project follows the steampunk theme seen throughout the studio’s previous creations, such as the original ‘steampunk’ and ‘eiffel’. Each construct is built in korea from anodized aluminum components that have been laser cut to accommodate brass needle valves, borosilicate glass tubes, and 150-gram tanks. Their development is led by a collection of industrial designers alongside a professional barista by the name of jae wong kwak.

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